Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Osman Hamdy Bey
La Porte de la Grande Mosquee Brousse (mk32)

ID: 25108

Osman Hamdy Bey La Porte de la Grande Mosquee Brousse (mk32)
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Osman Hamdy Bey La Porte de la Grande Mosquee Brousse (mk32)


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Osman Hamdy Bey

Turkey, born 1842 - died 1910  Related Paintings of Osman Hamdy Bey :. | Paysage a Gezbe (mk32) | Old Man in front of a Child's Tomb. | Jeune fille disposant des fleurs dans un vase (mk32) | La Porte de la Grande Mosquee Brousse (mk32) | The Tortoise Trainer |
Related Artists:
George Henry Durrie
American Painter, 1820-1863,American painter. Durrie and his older brother John (1818-98) studied sporadically from 1839 to 1841 with the portrait painter Nathaniel Jocelyn. From 1840 to 1842 he was an itinerant painter in Connecticut and New Jersey, finally settling permanently in New Haven. He produced c. 300 paintings, of which the earliest were portraits (e.g. Self-portrait, 1839; Shelburne, VT, Mus.); by the early 1850s he had begun to paint the rural genre scenes and winter landscapes of New England that are considered his finest achievement. His landscapes, for example A Christmas Party (1852; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.), are characterized by the use of pale though cheerful colours and by the repeated use of certain motifs: an isolated farmhouse, a road placed diagonally leading the eye into the composition, and a hill (usually the West or East Rocks, New Haven) in the distance. By the late 1850s Durrie's reputation had started to grow, and he was exhibiting at prestigious institutions, such as the National Academy of Design. In 1861 the firm of Currier & Ives helped popularize his work by publishing prints of two of his winter landscapes,
Emanuel Salomon Friedberg
painted Jews Taking Snuff in 1885
Viviano Codazzi
1604-1670 Italian Viviano Codazzi Location 1670). Italian painter. He arrived in Naples about 1634, having almost certainly trained in Rome. He was a specialist in the realistic architectural VEDUTA, and his interest in this theme may have been stimulated in Rome by the quadratura frescoes of Agostino Tassi and by the urban views of Claude Lorrain and Herman van Swan.






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